Tag: Ciné-théâtre

Volume 8 Issue 1

front cover 8:1

Palestinian Postmemory: Melancholia and the Absent Subject in Larissa Sansour’s In Vitro, Saleem Haddad’s “Song of the Birds,” and Adania Shibli’s Touch - Layla AlAmmar

Therapeutic Applications of Ciné-théâtre in Reframing Trauma Narratives and Attenuating Posttraumatic Distress in the Survivors of Sexual Violence: Koffi Kwahulé’s Les Recluses - Eric Wistrom

Testimony, Aporia, and the Holocaust in the Poems of Dan Pagis - Ashok K. Mohapatra

Trauma and Colonial Specters in Assia Djebar’s Fiction - Amar Guendouzi

A Russian Poetics of Trauma: Encounters with Death and the Literary Reclamation of the Individual - Laurie Vickroy

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